Cao Hong, deputy director of the Provincial Cultural Relics Bureau, led a team to Ningbo to inspect the construction of rural museums.
On August 3, Cao Hong, deputy director of Zhejiang Cultural Relics Bureau, led a team to Ningbo to inspect the construction of rural museums, accompanied by Chen Caifeng, deputy director of Cultural Relics Bureau. Deputy Director Cao Hong and his party inspected the 2022 provincial rural museum construction projects such as Ji Jas Pouch Lee Culture and Art Museum, Gengze Stone Carving Museum, Yinzhou Intangible Cultural Heritage Exhibition Center (Exhibition Hall) and Flower Arrangement Art Museum in Haishu District. The inspection team put forward constructive guidance on improving the quality of rural museums, sorting out exhibitions and doing a good job in pairing assistance.
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Huang Haifeng, member of the Standing Committee of Hangzhou Municipal Committee and Minister of Propaganda Department, and his party investigated the Deshou Palace project.
On the afternoon of August 3rd, Huang Haifeng, member of the Standing Committee of Hangzhou Municipal Committee and Minister of Propaganda Department, and his party went to Shangcheng District of Hangzhou to investigate the Deshou Palace project, and inspected the exhibition work of Deshou Palace Site Museum on the spot, and had a discussion and exchange, accompanied by leaders of Shangcheng District such as Hui Haitao and Fan Weidong. The research team visited the site of Deshou Palace on the spot, and listened to the specific plans and progress of the exhibition design, digital scene creation and site display of Deshou Palace by the Municipal Bureau of Landscape Architecture and Culture and various design units.
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Symposium on Collection Management of Hangzhou Museum Held
On August 2nd, Hangzhou Municipal Bureau of Landscape Architecture and Cultural Relics organized a symposium on the management of museum collections in the whole city. The meeting interpreted the Collection Management System of Hangzhou Museum (Trial), which was officially implemented on July 1st, notified the application and promotion of the “Smart Garden” collection management system, demonstrated the latest system, publicized the main points of collection management in the field of cultural relics law enforcement, and held a discussion.
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The exhibition “Traveling to and from Tianjin-Zhoushan in the history of Sino-Korean exchanges” was held in Zhoushan Museum.
On August 2nd, Zhoushan’s first international original exhibition “Going to and from Tianjin-Zhoushan in the history of Sino-Korean exchanges” was held in Zhoushan Museum. The exhibition is based on the communication between China and South Korea. Through the exhibition of physical exhibits and ancient books and documents, Zhoushan, as an important node of the ancient Maritime Silk Road and an important ferry crossing, is an important event in the history of Sino-Korean communication, bringing a high-standard international cultural feast to the audience.
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Ningbo Museum launched the exhibition “Living in Chang ‘an —— Life of Chang ‘an People in Tang Dou”.
On August 2nd, Ningbo Museum joined hands with Xi ‘an Museum to launch the exhibition “Living in Chang ‘an —— Life of Chang ‘an People in Tang Dou”, specially selecting 138 pieces (groups) of Tang Dynasty fine cultural relics, slowly unfolding the life picture of Chang ‘an people in Tang Dou, sketching out the lifestyle with the brand of Chang ‘an, and feeling the open and magnificent cultural spirit of Chang ‘an, an international metropolis, under the influence and integration of diverse civilizations.
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Lishui upgrades Liucitangbei historical and cultural block.
On August 2 nd, the groundbreaking ceremony was held for the renovation of the main street of Liucitang back historical and cultural block in the renovation project of Haichaohe old residential area and historical block in Lishui City. The overall design of historical and cultural blocks is initially considered as “one heart, two axes and three districts”, with Liu Bowen cultural exhibition as the core. The functions of the three functional areas-the ancient street non-legacy creation area, the southern commercial street vitality area and the Liuci cultural exhibition area are clear, and different formats show multiple ancient street play experiences.
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(Text finishing: Zhejiang Provincial Bureau of Cultural Relics)