“No matter how long the epidemic lasts, the company will not lay off employees or reduce wages.” On February 9, on the occasion of the Lantern Festival, Huang Qiaoling, chairman of Songcheng Group, wrote “a letter” to all employees and their families in Songcheng, in which in addition to sending festive greetings to them, the promise of “no layoffs and no salary cuts” also gave all employees of Songcheng firm confidence to fight the epidemic and tide over difficulties together. As soon as the letter was released, it flooded the circle of friends in the travel industry.
Huang Qiaoling said in the letter that the development of Songcheng to this day is inseparable from the efforts of all employees of Songcheng and the support of your family behind you. This is the main reason why he made the decision of “no layoffs and no salary cuts”. In addition, Huang Qiaoling also wrote in the letter: “I have never had a Lantern Festival spent like this, nor have I given myself such a long holiday… Let’s calm down and make this special day the most rare time of our life to spend with our family… When the spring blossoms, we will create a new brilliance of Songcheng together! ”
On the evening of January 23, Hangzhou Songcheng Scenic Area issued a notice that in order to ensure the safety of tourists, the scenic spot will be temporarily closed from January 24, and on the same day, the company held a mobilization conference to build a Songcheng performing arts kingdom. The meeting required that the whole company should actively respond, and all scenic spots across the country should strengthen employees’ own protection awareness and measures while ensuring the safety of tourists. At the same time, the Songcheng Scenic Area should mobilize all forces to launch the colorful Songcheng Performing Arts Kingdom in the spring of 2020 after the epidemic ends.
Songcheng Group is one of the top ten enterprises of the global theme park group, won the title of “Top 30 National Cultural Enterprises” for ten consecutive times, and created five “firsts” in the world performing arts market: the first in the number of theaters, the first in the number of seats, the first in the number of performances per year, the first in the number of audiences in the year, and the first in the annual performance profit.