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In response to the strategic goal of Zhejiang Provincial Party Committee and provincial government to jointly build “Poetry and Painting Zhejiang Grand Garden” and focus on building four poetry cultural belts, such as “Oujiang Landscape Poetry Road” and “East Zhejiang Tang Poetry Road”, the “Landscape Qingyin-Wenzhou Lishui Landscape Poetry Road Special Exhibition” sponsored by Wenzhou Municipal Bureau of Culture, Radio, Film and Television Tourism and Sports of Lishui City and undertaken by Wenzhou Museum and Lishui Museum has been sincerely cooperated by cultural and cultural workers of the two places for nearly half a year. In the exhibition hall of more than 1,300 square meters, the exhibition integrates poetry, calligraphy and painting, and relies on the material objects of major cultural relics and archaeological discoveries along Oujiang River. It reproduces the cultural heritage of Oujiang River, the “mother river”, which has a long history and is full of virtue from multiple perspectives. Through the vertical and horizontal axes of time and space, the means of sound, light and electricity, scene reconstruction and cross-border implantation are organically applied to the exhibition, highlighting the big background of the integration of literature and tourism. “It’s appropriate to be integrated, and it can be integrated.” According to statistics, during the National Day holiday, Wenzhou Museum received nearly 50,000 visitors in total, and only received 10,000 visitors on October 2nd. In particular, the live interaction of real-life Ou opera performances in the hall and the reappearance of the scene of the boat have won unanimous praise from the audience and become the punch-in point of online celebrity on holiday. The exhibition will last until December 1st.
First, the source of landscape poetry, with “poetry” series exhibition
As the “mother river” of Wenzhou and Lishui’s civilization, the 800-mile Oujiang River gave birth to the picturesque scenery on both sides of the coastal basin, and shaped the unique landscape poetry road culture in southwest Zhejiang. It is not only the second largest river in Zhejiang Province, but also the golden waterway of cultural resources in history. “Thousands of rocks are competing for beauty, thousands of valleys are competing for water, green grass is caged on them, and clouds are blooming and clouds are shining”, giving birth to colorful landscape poetry. Since the Eastern Jin Dynasty, the Central Plains families moved southward, and celebrities such as Xie An, Sun Chuo, Wang Xizhi, Zhi Dun and Xie Lingyun successively gathered in Zhejiang. In the third year of Nanyong (422), Xie Lingyun let Yongjia be the satrap, and he traveled everywhere, including counties and cities (such as Chishanglou and Jiangxinyu), Ouhai, Rui ‘an, Pingyang, Yongjia and Yueqing, and went back to Shimen Cave. He started the earliest landscape poetry school in China, taking Huiji and Yongjia landscape as the central theme, and “Oujiang Landscape Poetry Road” came into being. Hundreds of literati and poets throughout the dynasties followed the footsteps of Xie Lingyun, the originator of landscape poetry, leaving countless masterpieces and stories through the ages.
This exhibition is a series of poems, poems, poets and history of poems. From the Southern Dynasty, through the Tang and Song Dynasties to the Ming and Qing Dynasties, the cultural elements of poems run through all the time. Through four thematic units, such as “the road of beautiful things and celadon, the road of elegant poetry and painting, the road of folk customs and the road of elegant style and red style”, the most representative collections of cultural relics in Wenzhou and Lishui are displayed, and the poetry history of Wenzhou and Lishui runs through.
Second, the collection of high-quality goods, unique scenery.
Oujiang River is not only the birthplace of China’s landscape poems, but also a golden lifeline for Wenzhou and Lishui. Wenzhou and Lishui are closely linked by mountains and rivers, with the same culture and similar scenery. In the late Neolithic Age, a large number of pottery, stone tools, lacquerware and jade articles with the same cultural characteristics were unearthed from Haochuan cultural sites in Oujiang River Basin, such as Haochuan in Suichang and Caowan Mountain in Wenzhou. The early porcelains unearthed in Wenzhou and Lishui are very close to those of Ou kiln in terms of shape and glaze color. The formation of “Oujiang Landscape Poetry Road” is due to the fact that Oujiang River is the main waterway for material transportation in southwest Zhejiang. During the Song Dynasty, the waterway transportation of Oujiang River began to reach its peak, and “good materials were sold everywhere, so that people could enter the sea.” Timber, tung oil, lacquerware, wine, citrus and tea produced in the upstream area all flow down the river and are sold all over the world, among which porcelain is the main bulk cargo transportation. In Yuan Dynasty, Longquan Kiln celadon was exported in large quantities, occupying the major porcelain market in the world, and there was a prosperous scene of “porcelain kilns on both sides of Oujiang River, fireworks facing each other, and porcelain ships on the river flowing like weaving”. The transport ship joins the celadon products from Jingning, Qingtian and Yongjia along the Jianou Waterway and arrives at Wenzhou Port. From Wenzhou Port, it passes through the waters of Dongtou Island, enters the sea, transfers to Qingyuan (Ningbo) and Quanzhou, distributes them to South Asia and Northeast Asia, and sells them to countries along the Mediterranean Sea, becoming an important export commodity and cultural exchange messenger of Wenzhou’s “Maritime Silk Road”.
In the exhibition, the selection of exhibits is based on the principle of “seeing the big from the small”, and a number of exquisite ceramics unearthed from archaeological excavations and cellars with important research value are gathered. For example, pottery from the late Neolithic Age unearthed from Caowanshan site in Wenzhou, pottery from the 4th year of the Eastern Han Dynasty in Xingping unearthed from Litang in Ouhai, porcelain samples such as lotus leaf bowl with the inscription “Luo Qiguan as a bowl” unearthed from Tantou kiln site in Yongjia, and Gao Zubei, powder glaze porcelain from Longquan kiln in Yuan Dynasty unearthed from Dongtou cellar, etc. The clear celadon of Ou Kiln and Longquan Kiln is as bright as the clear sky and blue sea.
Third, appeal to both refined and popular tastes and cultural diversity.
With the production and export of goods and materials, people in Wenzhou and Lishui take the Oujiang River as the link, and strengthen the extensive inheritance and exchange in the fields of handicraft skills, folk art culture, religious and folk beliefs and even ideology, thus sketching out the diverse cultural connotations of “Oujiang River Landscape Poetry Road”, which is colorful and continuous.
The exhibition of “Baigong” skills is also a highlight of the exhibition, such as Longquan Sword, Qingtian Stone Carving, Wenzhou Lacquerware, Taishun Covered Bridge and other handicraft intangible cultural heritages. At the same time, it deepens its connotation, and extensively collects cultural relics and documents in opera, Buddhism and Taoism, marine culture, She folk culture, etc., and strives to display the wonderful cultural charm of “Oujiang Landscape Poetry Road” in three dimensions.
Fourth, the integration of literature and travel, red style
The picturesque scenery along the Oujiang River has attracted many famous people in the past dynasties, who either hold posts, travel, live or live in their hometown, leaving behind a large number of excellent poems and cliff inscriptions. Chuzhou Cliffs are distributed in Xiandu, Nanmingshan, Sanyansi Mountain, Shimendong, Taihe Mountain, etc. The carved cliffs in Wenzhou are mostly in Yandang Mountain and jiusan (such as Jigushan and Huagai Mountain). The chanting of the poet’s moving guest adds a lot of color to the Oujiang landscape.
People along the Oujiang River are hardworking, kind, loyal and brave, and full of revolutionary spirit. In 1930, the 13th Army of the Chinese Workers and Peasants Red Army and the Special Committee of Southern Zhejiang of the Communist Party of China were established successively, and their influence spread over more than 20 counties in southern Zhejiang. In 1935, under the leadership of Su Yu, the commander of the Red Army, and Liu Ying, the political commissar, the advancing division moved to the Fujian-Zhejiang Border Region. In 1939, the first congress of Zhejiang Province was held in Fengwo Township, Pingyang. In 1942, Yue Long formed guerrillas to carry out anti-Japanese guerrilla warfare until the victory and liberation of the Anti-Japanese War. The revolutionary struggle in the southwest of the Communist Party of China (CPC) and Zhejiang opened up a red road for Oujiang’s landscape poetry.
The exhibition also gathered a large number of photos of scenic spots along the Oujiang River and rubbings inscribed on cliffs in scenic spots, hoping to show the original features of harmonious coexistence of nature and humanities along the “Oujiang Road of Landscape Poetry”. At the same time, on the basis of comprehensively displaying the rich material culture and spiritual culture of “Oujiang Landscape Poetry Road”, add red elegant elements, further enhance the reputation and influence of Wenzhou and Lishui under the background of the integration of culture and tourism, and jointly write a new chapter of the coexistence of cultural heritage and tourism resources. (Wenzhou Museum)
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